In other news, the new Sarah Waters is fantastic, but I am a little peeved, because it's structured in three sections, the first set in 1947, the second in 1944, and the third in 1941. And when you finish the first section it dawns on you that that's how all the characters are going to end up, and while there's a thrill in going back to discover how they ended up there, the end of the 1947 section doesn't feel like a very powerful ending. At the beginning. If you know what I mean. I don't have a problem with this structure at all, but it could have been done better, I think, and there should have been a lot more mystery in the '47 bit. It's a shame, because as I read the 1944 bit I find myself thinking "this is all very well, but what about Viv and Reggie, and Helen and Julia, who have all been left hanging rather vaguely in 1947?" and then I realise that that's it, we know how their story ends, not with a bang but with a whimper. And yes, I checked to see is there a bit after the 1941 section that takes us back to 1947, and there isn't. It's still enormously readable and beautifully written, but I'm not sure she pulled off the narrative trick. Still, I haven't finished it, so we shall see.
Also, I am still sick, but I have had a lovely soothing bath and now smell of oranges, thanks to Lush's lovely Karma soap. So I am consumptive, but I smell nice.
*I studied Great Expectations for my Inter and loved it, particularly the spookiness of Miss H, and I remember the dorkish thrill my best friend and I felt when we were talking about the book and realised that the most important character in the entire book is Compeyson because he is the indirect cause of everything that happens to Pip.