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mind the oranges, marlon

What with all the fuss about the new V for Vendetta film, you can't escape Alan Moore these days. But why would you want to? Because he is a genius, and the more people who recognise that, the better. There was a great piece devoted to him on BBC 2's Culture Show last week, which you can watch here. In it, Jonathan Ross points out that if a mainstream prose writer were producing work as complex and erudite as that of Moore, then that writer would be on the front page of every literary publication there is. And it's true. If a prose writer were producing anything vaguely as innovative and graceful and erudite and funny as Moore's work he or she would be hailed as a genius, but because Moore writes comics, he's simply not taken seriously. Which is stupidly unfair. Moore's books are sometimes thrilling, sometimes incredibly disturbing, sometimes funny, but always fascinating and always, even the most horrible ones, humane. And he can write everything from subversive Victorian pastiche to epic superhero drama to radical lefty satire to high comedy ("mind the oranges, Marlon!") to police drama. Can Philip Roth or Zadie Smith do that?

Pretty much everything he's done is outstanding (particularly The League of Extraordinary Gentlemen, a literary geek's fantastic dream), but I think my favourite of all of Moore's many, many series and books is Top 10. It's basically Hill Street Blues with superheroes - it's set in Neopolis, a city where everyone has super-powers, but it doesn't feel like a superhero comic a la X Men; it feels like a really good cop show. The characters are believable, likeable people first and "superheroes" second, and the books are sometimes very funny and sometimes very moving - pretty much every one of the three books has made me cry quite a bit. And there are so many tiny, geeky jokes in every frame - little visual references to myriad other elements of pop culture. In one scene of the second Top 10 volume set in a transport station, we see a bunch of people in the far background bearing placards demanding better wheelchair access. If you look closely, you can see that all of these tiny figures are famous wheel-using characters from the world of comics and science-fiction - one is Barbara 'Batgirl' Gordon, one is X-Men's Professor Xavier.....and one is a Dalek. But my favourite of all the Top 10 volumes is the most recent offering The Forty Niners, which is set during the founding of Neopolis in 1949 and which is simply one of the best graphic novels I've ever read. And yes, it made me cry too. And laugh. And go, "oh wow, that's so cool!"

And there are very few writers who can evoke all of those responses. Here's to you, Alan Moore. Long may you roam around Northampton, making up the strangest and most wonderful stories in the world.

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Comments

( 11 comments — Leave a comment )
nwhyte
Mar. 19th, 2006 01:29 pm (UTC)
Were you around at the weekend? If not, you missed the chance to hang out with Susanna Clarke and Alan Moore's daughter Leah!
stellanova
Mar. 19th, 2006 01:32 pm (UTC)
Alas, I was away in the countryside for the weekend so missed the Con, which was a big shame! I didn't know Leah Moore was at it too - are her comics any good?
nwhyte
Mar. 19th, 2006 01:36 pm (UTC)
No idea about her comics, though I got on very well with her!
slovobooks
Mar. 19th, 2006 05:08 pm (UTC)
WildGirl is good, and Albion is, quite simply, brilliant.When I asked Colin Greenland what we should get for Susanna as a gift, he suggested the collected works of Leah Moore & John Reppion, so that's what we got her. She seemed exceedingly pleased!
clanwilliam
Mar. 19th, 2006 06:46 pm (UTC)
Indeed, and both were fun and entertaining, although I think Susanna was feeling a bit run down.

But not as fun and entertaining as you, dear boy!
nwhyte
Mar. 19th, 2006 07:14 pm (UTC)
I aim to please! (Or please to aim. Or something.)
sineadg
Mar. 19th, 2006 04:24 pm (UTC)
I enjoyed the film and think I might have liked it even more but for the mistake of bringing my comic book obsessive brother with me to see it. No sooner had the credits started rolling when he started giving out about what they'd left out, what they'd embellished and how it 'wasn't a patch on the graphic novel'. It's an entirely different medium, so I think it's ok that it focused on different elements. I thought it might have dated from the 80s but it was eerily spot on about the current state of the world/media/terrorism/war on Iraq stuff.
Especially loved John Hurt as the Stalinesque Big Brother figure.
stellanova
Mar. 20th, 2006 01:53 pm (UTC)
I'm an enormous pedant when it comes to film and TV adaptations of books I know, so I think my reaction may be like that of your brother! Luckily I haven't read the book for years so I won't be as picky about tiny details as I might otherwise be.

It's an entirely different medium, so I think it's ok that it focused on different elements.

I kind of agree, but did you watch that Alan Moore thing on the Culture Show (linked to above)? In it he says that he specifically writes things that can't be translated to film, which I thought was very interesting especially as comic books can be a very filmic medium (as Joss Whedon certainly knows). He seems to believe very strongly in the ability of the comic book form to tell a story or express an idea in a totally unique visual way.
darling_effect
Mar. 19th, 2006 10:00 pm (UTC)
"League" is so marvelous. I became a Moore acolyte early on (I was ten, I think). A friend of mine bought Swamp Thing #29 randomly and was so horrified by its contents that she thrust it into my hands —"It's horrible! You can have it!" Lucky me. I promptly read it from cover to cover, tossed & turned all night with vivid nightmares, then went out and bought every Moore-penned issue I could find.

I re-read From Hell every year —it's quite simply one of the most stunning books I've ever read. It, too, is woefully unappreciated, which is a shame.
stellanova
Mar. 19th, 2006 10:38 pm (UTC)
I can't remember if the first Moore I read was V or Watchmen - I read both when I was about 17 or 18 and was blown away. I must confess that From Hell is almost too gorey for me, but the most disturbing Moore I've ever read was the issue of League where they visit Dr Moreau. It genuinely horrified me and when I finished it I actually wished I hadn't read it, it made me feel so horrible. Urrrgh, just thinking about it makes my skin crawl. The same episode also featured Mr Hyde's horrific murder of the Invisible Man, so it was an all-round ick-fest. Brilliant, but I couldn't bear to read that issue again.
darling_effect
Mar. 20th, 2006 12:43 am (UTC)
I think I felt the same way about that particular issue of Swamp Thing too —Moore has a way of pushing things to extremes, but then dances back from the edge with such wit and grace that he can't help but win you back every time. From Hell is genuinely, genuinely terrifying —I cannot read it when I'm alone in the house. But it's always worth going wherever he takes you...
( 11 comments — Leave a comment )

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